|
But
the shoe's design, and the limited time Montoya had in which to complete
the project (two days), presented a real moldmaking challenge. A shoe
is a difficult object to cast because it is a thin-walled shape that requires
an inner and outer mold.
The Group Agrees on a Plan
Guided
by the experience of Polytek® instructors, the audiences
at every seminar decide how to approach each moldmaking
challenge. This is the most difficult part of each project because there
are so many factors to consider that differ from job to job.
The group consensus was to remove the strap,
which could be molded separately if desired. The porous canvas interior
was made nonporous and shiny by coating the interior of the shoe with
molten wax.
Fill the Shoe with a "Foot" Plug
Poly
Plasticene was used to build up a collar from the top edge of the shoe.
This created a space in which to pour a "foot" into the shoe. Fast-setting,
firm Poly 75-60 Poly Urethane rubber was poured into the shoe and plasticene
collar to create a stiff "foot" and "ankle." When the Poly 75-60 was hard,
the plasticene was removed.
Next, the foot and shoe were placed in a mold
box and fast-setting PlatSil® 71-10 was poured over them.
This created the mold of the outside of the shoe. When cured and turned
upside down with the shoe model removed, the mold for the shoe was ready
to pour through the heel and sole after applying a light coat of Pol-Ease®
2300. To hasten the cure and aid the flow of Poly-Optic®,
the mold and foot plug were heated to about 140°F.
A Perfect Crystal Slipper 3 Hours Later
Poly-Optic® 1410 was mixed, evacuated,
and poured into the warm mold. Several hours later, Juanita was able to
demold a perfect, clear Cinderella's slipper. Poly-Optic®
can be easily tinted to yield clear castings of any desired color |